Instagram Celebrity

When I was living in Venice, California, a really good friend gave me some great advice. “Stay away from the film industry and you’ll stay sane.” I followed his advice, and I still have very positive memories of Southern California. Unfortunately, for my sanity, celebrity has come to Instagram. A gossip and celebrity magazine, Enstarz, has declared that Dan Bilzerian is an Instagram celebrity. This should be no surprise to anybody that has followed Youtube or Vine which have produced their own celebrities. In fact if you are a top 40 Youtuber, you make at least $1 million (USD) per year.

The film industry is pretty brutal for its stories of backstabbing and allegiance to the bottom line at the expense of art.

Hollywood and everything bad about it has come to Instagram. The more money that brands pump into Instagram marketing will only make this more true. Instagram has rooftoppers – one died from a fall – and selfies at Auschwitz as a trend. The only thing missing is an annual awards ceremony replete with red carpet and paparazzi.

Most actors in Hollywood only make $5,000 per year, and have a second job. Most photographers are doing a bit better at $28,490 per year. But at the upper tier, the rewards are very great. This is why competition is so fierce. Competition is so fierce that editors at influential fashion magazines have to compete for Instagram likes.

Can you have community when everybody is dead set on a Hollywood kind of success? It’s really tough. I won’t say no since I did make one friend in Hollywood. However, people move to Los Angeles for the weather and to be famous, not for the community. You could say the same is true of Instagram with its popular sunset hashtag and stories of overnight fame. In fact, a brand paid $5,000 for a photo to be published on Instagram.

The problem with chasing fame is the same thing as the problem with chasing money. No matter how much you chase, you need more. It’s really hard to be happy with what you have. For my sanity, and for yours, too, dear reader, I totally recommend staying away from the trappings of celebrity.

Here’s what you can do instead:

  • Shoot film – shooting film slows you down. You have to be more careful about your shots. There are no redos.
  • Give yourself a photo assignment. Instead of focusing on getting more likes and follows, shoot a series of photos as part of a photo assignment. I really liked the book and movie versions of Solaris, so I shot a series of black & white photos with the hashtag, #solarisbw.
  • Take a break from social media. This is tough, but you actually find that at least some people missed you.

Social Media Marketing Is Not Photography

A photographer produces photographs. These can be sold, and if you sell one, you are a professional photographer. Photography is a trade. A photographer uses sales and marketing skills (now often in the form of social media) to sell photographs. What Instagram makes you forget is that photographs are used by brands to sell.

Many Instagrammers are the unwitting branders, marketers and sellers for companies that make millions, and they all do this for free.

Instagram is a private enterprise. If you have photographs that are at odds with their TOS, they can – with totalitarian silence – remove you from the “community.”

If you feel someone in the IG “community” was very nice to you and then backstabbed you, and they do photographs related to brands, it is because how paid social marketers are in Instagram is the same way actors are in Hollywood. They have a nice side they show to the world, but they are ruthless in order to get the fame and wealth they want.

What is the optimal strategy then? Personally, I do not think people who do Instagram or photography for a living are really happy, or are artistically satisfied. As a professional social media marketer on Instagram, your client wants photos of rather ordinary stuff, *and* puts you in conditions with crappy lighting, *and* wants those Instagrams *NOW*. The optimal strategy is finding something that supplements your *real* photography which has standards outside of likes and follows.

I was inspired to write this piece based on what Ken Rockwell wrote as well as Jenn Herman whose latest blog post shows that there are 3 types of Instagram accounts: brand, business and personal. The key to being happy is knowing which kind of account you are running. You cannot be all 3 without running into conflict, e.g. you can’t have a personal account be fully authentic without sometimes coming into conflict with your account as a brand. The brand will always demand a message for marketing.

If you are not running a personal account, and you are in America, Instagramming as a social media marketer means presenting happy, fantasy images with sublime landscapes of a mostly middle-class and young America that does not exist, so that capital can move. (Most young people are poor here and have been since the Great Recession.)

Photography has always depended on spaces like Instagram. It has also always depended on public spaces, too, like museums. But more and more photography is being oppressed by capital and law enforcement. Lots of young photographers think street photography is illegal, which it’s not in the United States. Many police officers treat photographers as criminals. The thing to ask is, “Who is your photography serving? God? A state police? A free peoples?”

Milling About Court in Instagram

Following people on Instagram is very similar to what you would find at the Tudor court or in at a networking event in Silicon Valley.

The people in corners do not need to mill about. They have the power, and like the king or queen, their focus is limited to a few.


The people not at the corners nor seated are milling about. They are working for some sort of gain by working the room. This can be seen when people follow lots of other people.

Ultimately this means that photography, the art, has become conflated with the machinations of courtly ambition.

This offends democratic sensibilities on so many levels. Being a queen’s favorite should not make you a better artist than someone else but this sort of perversion of aesthetic judgment is built into Instagram.

No suggested users have followed me back

Yesterday I decided to try to follow all the suggested users by liking really good photos and leaving genuine and sincere comments. At least one of them would follow back, right?

Zero followed back. I am ok with this because I already have an audience I love. But if you are a new user what are the chances of getting a follow back?

As it turns out Instagram wrongly detects a genuine interaction as comment spam. If a suggested user is following 100 or so people or less & you try to leave a comment you get this:


I eventually stopped following suggested user accounts because the ones left had photos with just text in them. I was really boggled by one of the suggested users that was just selfies with text.

My Instagram Process versus My Photographic Process

“Instagram is not photography… It is not a photograph unless you print it (on paper).” I first heard this idea from AndrĂ© Herman. This sort of photographic traditionalism or conservatism employs a subtle metaphysic. How could this be true? It is true in the sense that before photography not every portrait was considered a painting. A certain intent and symbolism is required to transform a portrait into a painting.

Yet there is more than just a classical metaphysical distinction between a portrait and a painting, and a mobile snap and a photograph, respectively. Social media and consciousness of an audience is always in the background. A mobile snap cannot be divorced from branding, marketing and technology as well as the quotidian Zeitgeist of the Internet.

A photograph will lack the enumerated background of a mobile snap but invites the pantheon of traditional critique and avant garde institutions.

When I create a photograph, given that I learned photography in the 1990s, I am always comparing it to the masters. My photographs are always already – to use the Heideggerian phrase – not good enough.

When I Instagram, big data analytics comes into play. I can always do better through social media optimizations. It doesn’t have to be art.


Betty 1998 by Gerhard Richter

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